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Linda Hartford
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I found a review and article on Houzz of the Eames chair and so I looked at the furnish plus website. Right away a customer service rep contacted me and answered some questions. I decided to give it a go. The chair came so fast ! It’s gorgeous. The quality is amazing and it’s very comfortable. We couldn’t be more impressed. I’d order from furnish plus again.

Rebecca Bradley
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The customer service was very professional! Responded quickly and were very helpful! Bought an Eames Lounge Chair and Ottoman - very pleased with the quality! It came quickly! Thanks again!

Peter Melville
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Beautiful chair (Eames-style lounge w/ottoman). We absolutely love it. So comfortable--even the kids fight for opportunity to sit in it. The chair was delivered much sooner than I expected. Worth the money, for sure.

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About FPlus Lounge Chair


  1. Cushions are removable
  2. Chair features 360-degree swivel
  3. Chair features fixed 15-degree tilt
  4. Die-cast aluminum braces and base
  5. This item is shipped fully assembled
  6. Aniline leather is 100% real leather imported from Italy
  7. Upholstered in your choice of Top Grain, Aniline, Vintage, and Cowhide Leather
  8. Braided thread used with Lockstitch (stitch type #301) ensures piping stays in place and seams are long lasting
  9. Injected Cushions are constructed of Dacron-wrapped multi-density CA-167. This results in an extremely comfortable chair with the highest level of durability
  10. Plywood veneer is FAS American Timber. FAS certified means that they are the best cuts from the log with minimal knots. These are sourced exclusively from the USA, Canadian and Brazilian companies

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FPlus Lounge Chair

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The Eames Lounge chair design is heavily influence by the Bauhaus, a German school of thought in art and design. The Bauhaus is “… based on the principles of the 19th-century English designer William Morris and the Arts and Crafts movement that art should meet the needs of society and that no distinction should be made between fine arts and practical crafts.”[1] Founded in Germany in the year 1919, the Bauhaus promptly closed in 1933 with the rise of the Nazi party. Several of the participants immigrated to the United States where they became a great influence in art and design.

Two of the principles of the movement state, “that modern art and architecture must be responsive to the needs and influences of the modern industrial world” and design should look to obtain “harmony between function and the artistic and technical means employed.”[2] The Eames Lounge chair embodies these ideas. Its purpose is comfort and its function, the escape from modern anxiety.

The novelty of its design relies in the usage of innovative methods of production. The Eames were the first to experiment with heat-molded plywood in furniture design, a process that allowed them to obtain the perfect curves that make up this recognizable icon. They used the technical means available to their advantage. Lastly, the aesthetic value of the Eames Lounge chair was highly praised during its debut and has remained popular. It is an effective design that illustrates the ideas and possibilities of its time

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The Eames Lounge Chair And The Ottoman- The Design Icon

With its tufted cushions and slightly insect like structure of three curved , the chair remains a postwar status symbol favoured by elites. the chair remains a familiar sign of the psychoanalysts office.

With a vintage example of the chair, rotating regally on a dais, at its center, it examines its subject in terms of design evolution, physical structure, production, assembly and advertising.

The idea for the Eames Lounge Chair And Ottoman, the spark from which the design flowed, was seemingly simple but richly evocative and complex when translated to furniture, the idea was to make a lounge chair that resembled feel, emotion, and aesthetic of a well used baseball mitt.

It can be seen in museum collections , exhibitions nd designers homes across the globe and it remains a symbol of luxurious comfort.

Molded fiberglass chairs in a variety of bright colors — with or without arms, with or without a rocking base — came next. Serious Eames connoisseurs look for chairs from this period, 1950-1953, with a “Miller-Zenith” label on their undersides. The ones with wooden bases (DAW, PAW) are less common and thus more sought-after than the ones with metal legs (DAR, LAX, LAR, RAR). Around the same time, the couple designed chairs made from sturdy wire mesh, with covers available in leather, vinyl, and fabric by designer Alexander Girard.

These were the chairs that the Eameses produced for the mass consumer. By 1956, well-heeled customers could order a Lounge Chair and Ottoman, whose molded rosewood plywood form embraced rich leather upholstery. The chair is still available today from Herman Miller in cherry and walnut.

In 1958, the couple launched a chair collection called the Aluminum Group, which included a desk chair and a lounge chair — the armless models of the latter are most prized today. In 1960, Eames designed several chairs and a trio of stools for the new Time-Life Building in New York. One was an Executive Desk Chair, the other an Intermediate Desk Chair, which was a smaller version of the Executive that did not sell as well, making it the more prized of the two today.

Eames Furniture Can Do So Much for the Dining Room

You can achieve a colorful dining area by pairing up a Charles Eames table with really vibrant Arne Jacobsen chairs. The lovely hues and tones comes together to provide guests with a super fun dining experience. Although this is enough to grab attention, you could go a step further and use accessories such as maybe an eclectic-designed rug and a very modern light right on top of the table.

For a 1950s-inspired dining room, look for a Saarinen Tulip Table (it goes great with small spaces) and place pony-skin Eames chair around it. The two very different yet complementary designs can be further enhanced with hanging pendant lights.

Eames have left behind a body of work that seamlessly works with any decor setting. Check out chair and Eames table reproduction at the popular online stores and make your choice

Vintage Furniture – Real or Fake? Eames Lounge Chair & Ottoman

The Real McCoy – Eames Lounge (670) and Ottoman (671)

In this installment of “Real or Fake?” we will discuss the ever-popular and often imitated Eames Lounge Chair and ottoman, officially known as the Eames Lounge (670) and Ottoman (671). Designed by the remarkable and prolific husband and wife team of modernist architects and designers, Charles and Ray Eames in 1956, this chair was introduced to the public on NBC morning show, the Arlene Francis Home Show (which later became The Today Show) and was an instant hit. (Do not miss the extraordinary 2-part video here.) It is been in constant production ever since by U.S. licensee Herman Miller of Zeeland Michigan and European licensee Vitra.

It is also one of the most popularly
copied pieces and I defy anyone
to find a furniture store anywhere
in the world that does not sell a
version of this chair. Some copies
even have their own fans – an unlicensed
knockoff from Plycraft by George
Mulhauser is considered by many to
be superior in both quality and
comfort to the real thing and can be
had at substantial savings. It is
said to be more ergonomic for
today larger American frames.

So if you are in the market for an

Eames Lounge Chair and Ottoman, how

do you know if you are getting the real thing?

If you are buying new, it is easy. Buy from a

Herman Miller dealer or look for the Herman Miller

label on the underside of the chair shell.

Prices start at about $3,500 for the cherry or

walnut versions. A 50th anniversary chair in

santos palisander rosewood starts at about $4,500.

Authentic vintage chairs get that much

or more, and an earlier limited edition model

in rosewood has been known to fetch as much as $7,000 at auction. (UPDATE: A vintage rosewood chair and ottoman just got $3,120 at the October 7, 2008 Modern Design auction at Wright Auctions of Chicago. Pre-auction estimates put it at $3,000 to $4,000 – obviously a sign of the times given the world economic crisis. Read about it here.)

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